{"id":125,"date":"2015-12-20T02:27:44","date_gmt":"2015-12-20T02:27:44","guid":{"rendered":"https:\/\/fs.wp.odu.edu\/jhall\/?page_id=125"},"modified":"2025-12-23T13:08:48","modified_gmt":"2025-12-23T18:08:48","slug":"musa-139-140","status":"publish","type":"page","link":"https:\/\/fs.wp.odu.edu\/jhall\/trombone-and-euphonium\/musa-139-140\/","title":{"rendered":"MUSA 139, 140"},"content":{"rendered":"<div id=\"pl-125\"  class=\"panel-layout\" ><div id=\"pg-125-0\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-125-0-0\"  class=\"panel-grid-cell\" ><div id=\"panel-125-0-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p>Nonmusic majors, music majors on secondary instruments, graduate students not requiring graduate credit.<\/p>\n<p>1 credit: half hour lesson. No jury is required.<\/p>\n<p><em>\u00a0Fundamentals of tone production, embouchure development, breath support, and articulation.<\/em><\/p>\n<p>&nbsp;<\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pg-125-1\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-125-1-0\"  class=\"panel-grid-cell\" ><div id=\"panel-125-1-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t><h3 class=\"widget-title\">TENOR TROMBONE<\/h3>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p>METHODS<br \/>\nRubank <em>Elementary Method<\/em><br \/>\nRubank <em>Intermediate Method<br \/>\n<\/em>Pearson <em>Standard of Excellence, Vols. 1,2,3<\/em><\/p>\n<p>WARM-UP EXERCISES<br \/>\nRemington\/Hunsberger <em>Warm-up Exercises<br \/>\n<\/em>Vining <em>Daily Routines for the Young Trombonist<\/em><\/p>\n<p>STUDIES FOR GENERAL TECHNIQUE<br \/>\nBordner <em>First Book of Practical Studies<br \/>\n<\/em>Voxman <em>Selected Studies<br \/>\n<\/em>Fink <em>Studies in Legato<\/em><\/p>\n<p>REPRESENTATIVE SOLO MATERIAL<br \/>\nKinyon <em>Breeze-Easy Recital Pieces<br \/>\n<\/em>Arnold (ed.) <em>Easy Trombone Solos<br \/>\n<\/em>Benson <em>Aubade<br \/>\n<\/em>Marsteller <em>Barbary Pirates<br \/>\n<\/em>Marsteller <em>Yesterday Afternoon<br \/>\n<\/em>Mozart\/Ernst <em>Sonatina<\/em><br \/>\nVaughn Williams <em>Six Studies in English Folksong<\/em><\/p>\n<p>Jazz: <em><span class=\"NormalTextRun SCXW113287456 BCX0\" data-ccp-parastyle=\"No Spacing\">Now\u2019s the Time, C Jam Blues, Blue Bossa, Summertime, I\u00a0<\/span><span class=\"NormalTextRun SCXW113287456 BCX0\" data-ccp-parastyle=\"No Spacing\">Can\u2019t<\/span><span class=\"NormalTextRun SCXW113287456 BCX0\" data-ccp-parastyle=\"No Spacing\"> Get Started, <span class=\"NormalTextRun SCXW26661427 BCX0\">Tune Up, Take the A Train, You Are Too Beautiful, <\/span><span class=\"NormalTextRun SCXW26661427 BCX0\">Little Sunflower, <span class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW169732671 BCX0\" data-ccp-parastyle=\"Body\" data-ccp-parastyle-defn=\"{&quot;ObjectId&quot;:&quot;b669530d-9cee-5fd4-8da3-4cdbed7bfaa2|1&quot;,&quot;ClassId&quot;:1073872969,&quot;Properties&quot;:[469775450,&quot;Body&quot;,201340122,&quot;2&quot;,134233614,&quot;true&quot;,469778129,&quot;Body&quot;,335572020,&quot;1&quot;,469777841,&quot;Helvetica Neue&quot;,469777842,&quot;Arial Unicode MS&quot;,469777844,&quot;Helvetica Neue&quot;,469769226,&quot;Helvetica Neue,Arial Unicode MS&quot;,335551500,&quot;0&quot;,268442635,&quot;22&quot;,469777843,&quot;Arial Unicode MS&quot;]}\">So<\/span><span class=\"NormalTextRun SCXW169732671 BCX0\" data-ccp-parastyle=\"Body\">\u00a0What, Autumn Leaves, Blue\u00a0<\/span><span class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW169732671 BCX0\" data-ccp-parastyle=\"Body\">In<\/span><span class=\"NormalTextRun SCXW169732671 BCX0\" data-ccp-parastyle=\"Body\"> Green, <\/span><span class=\"NormalTextRun SCXW169732671 BCX0\" data-ccp-parastyle=\"Body\">Freddie Freeloader, Song <\/span><span class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW169732671 BCX0\" data-ccp-parastyle=\"Body\">For<\/span><span class=\"NormalTextRun SCXW169732671 BCX0\" data-ccp-parastyle=\"Body\"> My Father, Take Five, <\/span><\/span><\/span><\/em><span class=\"NormalTextRun SCXW113287456 BCX0\" data-ccp-parastyle=\"No Spacing\"><span class=\"NormalTextRun SCXW26661427 BCX0\"><span class=\"NormalTextRun SCXW169732671 BCX0\" data-ccp-parastyle=\"Body\">etc.<\/span><\/span><\/span><\/p>\n<p>TECHNIQUE<br \/>\nAll major scales, one octave in quarter notes (mm120)<\/p>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-125-1-1\"  class=\"panel-grid-cell\" ><div id=\"panel-125-1-1-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"2\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t><h3 class=\"widget-title\">EUPHONIUM<\/h3>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p>METHODS<br \/> Beeler <em>Method for Baritone, Book 1<br \/> <\/em>Rubank <em>Intermediate Method <br \/> <\/em>Pearson <em>Standard of Excellence, Vols. 1,2,3<\/p>\n<p> <\/em>WARM-UP EXERCISES<br \/> Remington\/Hunsberger <em>Warm-up Exercises<br \/> <\/em>Vining <em>Daily Routines for the Student Euphonium Player<\/p>\n<p> <\/em>STUDIES FOR GENERAL TECHNIQUE<br \/> Bordner <em>First Book of Practical Studies<br \/> <\/em>Voxman <em>Selected Studies<br \/> <\/em>Fink <em>Studies in Legato<\/p>\n<p> <\/em>REPRESENTATIVE SOLO MATERIAL<br \/> Belwin Mills <em>Classic Festival Solos<\/em><br \/> Campbell <em>Master Solos<\/em><br \/> Davis <em>Variations on a Theme of Robert Schumann<\/em><br \/> Dowland\/Fischer <em>What if I Never Speed<\/em><br \/> Mozart\/Ernst <em>Sonatina<br \/> <\/em>Phillips <em>Eight Bel Canto Songs<\/em><br \/> Smith, H.C. <em>Solos for the Baritone Player<br \/> <\/em><br \/> TECHNIQUE<br \/> All major scales, one octave in quarter notes (mm120)<\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>Nonmusic majors, music majors on secondary instruments, graduate students not requiring graduate credit. 1 credit: half hour lesson. No jury is required. \u00a0Fundamentals of tone production, embouchure development, breath support, and articulation. &nbsp; METHODS Rubank Elementary Method Rubank Intermediate Method&#8230; <a class=\"more-link\" href=\"https:\/\/fs.wp.odu.edu\/jhall\/trombone-and-euphonium\/musa-139-140\/\">Continue Reading &rarr;<\/a><\/p>\n","protected":false},"author":1221,"featured_media":0,"parent":84,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":"","_links_to":"","_links_to_target":""},"_links":{"self":[{"href":"https:\/\/fs.wp.odu.edu\/jhall\/wp-json\/wp\/v2\/pages\/125"}],"collection":[{"href":"https:\/\/fs.wp.odu.edu\/jhall\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/fs.wp.odu.edu\/jhall\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/fs.wp.odu.edu\/jhall\/wp-json\/wp\/v2\/users\/1221"}],"replies":[{"embeddable":true,"href":"https:\/\/fs.wp.odu.edu\/jhall\/wp-json\/wp\/v2\/comments?post=125"}],"version-history":[{"count":5,"href":"https:\/\/fs.wp.odu.edu\/jhall\/wp-json\/wp\/v2\/pages\/125\/revisions"}],"predecessor-version":[{"id":1451,"href":"https:\/\/fs.wp.odu.edu\/jhall\/wp-json\/wp\/v2\/pages\/125\/revisions\/1451"}],"up":[{"embeddable":true,"href":"https:\/\/fs.wp.odu.edu\/jhall\/wp-json\/wp\/v2\/pages\/84"}],"wp:attachment":[{"href":"https:\/\/fs.wp.odu.edu\/jhall\/wp-json\/wp\/v2\/media?parent=125"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}