{"id":129,"date":"2015-12-20T02:38:39","date_gmt":"2015-12-20T02:38:39","guid":{"rendered":"https:\/\/fs.wp.odu.edu\/jhall\/?page_id=129"},"modified":"2025-12-23T13:56:20","modified_gmt":"2025-12-23T18:56:20","slug":"musa-239-240","status":"publish","type":"page","link":"https:\/\/fs.wp.odu.edu\/jhall\/trombone-and-euphonium\/musa-239-240\/","title":{"rendered":"MUSA 239, 240"},"content":{"rendered":"
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Nonmusic majors, music majors on secondary instrument.<\/p>\n

1 credit: half hour lesson. No jury required.<\/p>\n

Extension of range, increase in technique. Work in elementary legato style. Continued development of fundamentals including embouchure. Introduction to tenor clef. Pedal tones.<\/em><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div>

TENOR TROMBONE<\/h3>\n
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METHODS
\nRubank Intermediate Method
\n<\/em>Rubank Advanced Method, Vol.1,2<\/em><\/p>\n

WARM-UP EXERCISES
\nHall Gym<\/em>
\nRemington Warm-up Exercises
\n<\/em>Vining Daily Routines for the Young Trombonist<\/em><\/p>\n

LEGATO STUDIES
\nCimera 55 Phrasing Studies
\n<\/em>Fink Introducing Legato<\/em><\/p>\n

STUDIES FOR GENERAL TECHNIQUE
\nBordner Second Book of Practical Studies
\n<\/em>Lafosse School of Sightreading & Style, Book A
\n<\/em>Roberts-Tanner Let's Play Bass Trombone
\n<\/em>Voxman Selected Studies<\/em><\/p>\n

CLEF STUDIES
\nFink Introducing Tenor Clef
\n<\/em>Edwards Before Blazhevich<\/em><\/p>\n

REPRESENTATIVE SOLO MATERIAL
\nAlary Contest Piece
\n<\/em>Bach Arioso<\/em>
\nBrown Meditation<\/em>
\nCroce-Spinelli Solo de Concours<\/em>
\nDedrick Lyric Etude
\n<\/em>Faure Apres Un Reve
\n<\/em>Frackenpohl Pastorale<\/em>
\nHasse Suite<\/em>
\nHaydn Andante<\/em>
\nHaydn-Schuman Adagio<\/em>
\nMozart\/Ernst Sonatina<\/em>
\nOstrander Concert Piece in Fugal Style
\n<\/em>Smith, H.C. Solos for the Trombone Player
\n<\/em>Voxman Concert & Contest Collection<\/em><\/p>\n

Jazz: Stella by Starlight, Straight No Chaser, Scrapple from the Apple, Yardbird Suite,<\/span><\/span><\/em>\u00a0<\/span><\/span>Ceora, Have You Met Miss Jones, My Foolish Heart, Take the A Train, Solar, One Note Samba, The Girl\u00a0<\/span>From <\/span>Ipanema<\/span>, Nostalgia\u00a0<\/span>In<\/span>\u00a0Time Square, Alice\u00a0<\/span>In<\/span>\u00a0Wonderland, Blues\u00a0<\/span>For<\/span> Alice,<\/span><\/span><\/span><\/em> etc.<\/span><\/span><\/span><\/span><\/span><\/p>\n

TECHNIQUE
\nAll major scales and arpeggios, one octave in eighth notes (mm120).<\/p>\n<\/div>\n<\/div><\/div><\/div>

EUPHONIUM<\/h3>\n
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METHODS
Beeler Method for Baritone, Book 2
Guggenberger Basics Plus
Rubank Advanced Method, Vol.1,2<\/p>\n

WARM-UP EXERCISES
Hall Gym
Remington Warm-up Exercises
Vining Daily Routines for the Student Euphonium Player<\/p>\n

STUDIES FOR GENERAL TECHNIQUE
Bordner Second Book of Practical Studies
Fink From Treble Clef to Bass Clef Baritone
Fink Introducing Legato
Lafosse School of Sightreading & Style, Book A
Mead New Concert Studies for Euphonium, Vol.1
Voxman Selected Studies<\/p>\n

REPRESENTATIVE SOLO MATERIAL
Alary Contest Piece
Bartok\/Harris Evening in the Country
Court Fantasy Jubiloso
Croce-Spinelli Solo de Concours
Faure Apres Un Reve
Frackenpohl Pastorale
Haddad Suite for Baritone
Hasse Suite
Haydn Andante
Haydn-Schuman Adagio
Krzywicki Ballade
Mozart\/Ernst Sonatina
Ostrander Concert Piece in Fugal Style
Smith, H.C. Solos for the Baritone Player
Vaughn Williams\/Droste Six Studies in English Folksong
Voxman Concert & Contest Collection<\/p>\n

TECHNIQUE
All major scales and arpeggios, one octave in eighth notes (mm120)<\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"

Nonmusic majors, music majors on secondary instrument.1 credit: half hour lesson. No jury required.Extension of range, increase in technique. Work in elementary legato style. Continued development of fundamentals including embouchure. Introduction to tenor clef. Pedal tones. METHODS Rubank Intermediate Method… Continue Reading →<\/a><\/p>\n","protected":false},"author":1221,"featured_media":0,"parent":84,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":"","_links_to":"","_links_to_target":""},"_links":{"self":[{"href":"https:\/\/fs.wp.odu.edu\/jhall\/wp-json\/wp\/v2\/pages\/129"}],"collection":[{"href":"https:\/\/fs.wp.odu.edu\/jhall\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/fs.wp.odu.edu\/jhall\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/fs.wp.odu.edu\/jhall\/wp-json\/wp\/v2\/users\/1221"}],"replies":[{"embeddable":true,"href":"https:\/\/fs.wp.odu.edu\/jhall\/wp-json\/wp\/v2\/comments?post=129"}],"version-history":[{"count":5,"href":"https:\/\/fs.wp.odu.edu\/jhall\/wp-json\/wp\/v2\/pages\/129\/revisions"}],"predecessor-version":[{"id":1458,"href":"https:\/\/fs.wp.odu.edu\/jhall\/wp-json\/wp\/v2\/pages\/129\/revisions\/1458"}],"up":[{"embeddable":true,"href":"https:\/\/fs.wp.odu.edu\/jhall\/wp-json\/wp\/v2\/pages\/84"}],"wp:attachment":[{"href":"https:\/\/fs.wp.odu.edu\/jhall\/wp-json\/wp\/v2\/media?parent=129"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}