{"id":143,"date":"2015-12-20T03:14:47","date_gmt":"2015-12-20T03:14:47","guid":{"rendered":"https:\/\/fs.wp.odu.edu\/jhall\/?page_id=143"},"modified":"2025-12-23T13:48:36","modified_gmt":"2025-12-23T18:48:36","slug":"fifth-and-sixth-semesters","status":"publish","type":"page","link":"https:\/\/fs.wp.odu.edu\/jhall\/trombone-and-euphonium\/fifth-and-sixth-semesters\/","title":{"rendered":"FIFTH AND SIXTH SEMESTERS"},"content":{"rendered":"

MUSA 341\/410, 342\/411<\/h3>\n
\n\t

2 credits: full hour lesson - for junior Music Education, Sound Recording Technology, Jazz Studies, Composition majors and Music minors only. Requires one student recital performance each semester. 341\/410 and 342\/411 jury consists of two solos with piano or major unaccompanied solo, possible playing by ear.<\/p>\n<\/div>\n<\/div><\/div>

MUSA 351, 352 <\/h3>\n
\n\t

3 credits: full hour lesson - for junior Performance majors only. Requires two student recital performances each semester. Jury consists of two solos, one by memory, with piano or major unaccompanied solo, possible playing by ear.<\/p>\n

Further development of range, flexibility, velocity and sight-reading. Some emphasis on recital literature, and chamber music. Required work on F-attachment\/fourth valve\u00a0if not previously learned.<\/em><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div>

TENOR TROMBONE<\/h3>\n
\n\t

METHODS
\nArban\/Alessi\/Bowman Method<\/em>
\nVining Daily Routines for Trombone<\/em><\/p>\n

WARM-UP EXERCISES
\nRemington Warm-up Exercises
\n<\/em>Schlossberg Daily Drills & Technical Studies
\n<\/em>Marsteller Basic Routines <\/em><\/p>\n

LEGATO STUDIES
\nBordogni-Rochut Melodious Etudes Vol.2,3<\/em>
\nBach Cello Suites<\/em> (ed. Brown, Lafosse, Lusk, or Marsteller)
\nConcone-Miller 40 Legato Studies <\/em><\/p>\n

STUDIES FOR GENERAL TECHNIQUE
\nClarke Technical Studies
\n<\/em>Lafosse School of Sightreading & Style, Book B-C
\n<\/em>Campbell 30 Contemporary Studies<\/em>
\nBitsch 15<\/em> Etudes du Rhythme
\n<\/em>Kopprasch 60 Studies
\n<\/em>Bleger 31 Studies
\n<\/em>Couillaud Vingt-Six Etudes
\n<\/em>Kreutzer 16 Selected Studies
\n<\/em>Paudert 24 Studies <\/em><\/p>\n

CLEF STUDIES
\nBlazhevich Studies in Clefs
\n<\/em>Uber 30 Etudes in Bass & Tenor Clef <\/em><\/p>\n

F-ATTACHMENT STUDIES
\nFink Studies in Legato for Bass Trombone, Tuba
\n<\/em>Gillis 70 Progressive Studies <\/em><\/p>\n

JAZZ STUDIES
\nLipsius Reading Key Jazz Rhythms
\n<\/em>Wilson\/Viola Chord Studies for Trombone
\n<\/em>Baker, D. Jazz Styles and Analysis
\n<\/em>Reeves Creative Jazz Improvisation
\n<\/em>Coker Patterns for Jazz
\n<\/em>Learning standard tunes as assigned, required reading as assigned.
\nSnidero Jazz Conception<\/em><\/p>\n

REPRESENTATIVE SOLO MATERIAL
\nBach-Beversdorf Haste, Ye Shepherds
\n<\/em>Bassett Suite<\/em>
\nBerghmans La Femme a Barbe
\n<\/em>Shostakovitch Four Preludes
\n<\/em>Stojowski Fantasy
\n<\/em>Vivaldi-Ostrander Sonata No. 3 in A Minor
\n<\/em>Whear Sonata<\/em><\/p>\n

Jazz: T<\/em>ake Five, Up Jumped Spring, Confirmation, Donna Lee, Oleo, Ornithology, Blues for Alice, In Your Own Sweet Way, Night in Tunisia, How My Heart Sings, Invitation, Round Midnight, <\/span><\/em>All The Things You Are, Lady Bird, Prince Albert, I Mean You, <\/span><\/em>Meditation,<\/em> etc.<\/span><\/span><\/span><\/span><\/span><\/p>\n

ORCHESTRAL EXCERPTS<\/p>\n

    \n
  1. Hindemith Symphonic Metamorphosis <\/em><\/li>\n
  2. Strauss Till Eulenspeigel <\/em><\/li>\n
  3. Ravel Bolero<\/em><\/li>\n
  4. Stravinsky Firebird<\/em><\/li>\n
  5. Brahms Symphony No.2 <\/em><\/li>\n
  6. Borodin Plolvetsian Dances <\/em><\/li>\n
  7. Britten Young Person's Guide to the Orchestra <\/em><\/li>\n
  8. Kod\u00e1ly Harry Janos Suite <\/em><\/li>\n
  9. Respighi Pines of Rome <\/em><\/li>\n
  10. Tchaikovsky Symphony No.4<\/em><\/li>\n<\/ol>\n

    TECHNIQUE
    \nClarke Technical Studies<\/em>
    \nHall Technique Exam
    \n<\/em>Lin Lip Flexibilities for All Brass Instruments
    \n<\/em>Mueller Technical Studies, Vols.2,3<\/em>
    \nMarsteller Basic Routines Part 1, <\/em>plus flexibility, attack exercises.
    \nSome emphasis on extreme ranges, security, and endurance.<\/p>\n<\/div>\n<\/div><\/div><\/div>

    EUPHONIUM<\/h3>\n
    \n\t

    METHODS
    Arban\/Alessi\/Bowman Method
    Guggenberger Basics Plus<\/em><\/p>\n

    WARM-UP EXERCISES
    Pilafian\/Sheridan The Brass Gym<\/em>
    Remington Warm-up Exercises<\/em><\/p>\n

    LEGATO STUDIES
    Bordogni-SchwartzVocalises Vols.2,3<\/em>
    Bach Cello Suites<\/em> (ed. Brown, Lafosse, Lusk, or Marsteller)
    Concone-Miller 40 Legato Studies<\/em><\/p>\n

    STUDIES FOR GENERAL TECHNIQUE
    Bitsch 15<\/em> Etudes du Rhythme
    <\/em>Blume 36 Studies for Trombone with F-Attachment<\/em>
    <\/em>Lafosse School of Sightreading & Style, Book B-C
    <\/em>Kopprasch 60 Studies<\/em><\/p>\n

    CLEF STUDIES
    Blazhevich Studies in Clefs
    <\/em>Uber 30 Etudes in Bass & Tenor Clef<\/em><\/p>\n

    JAZZ STUDIES
    Lipsius Reading Key Jazz Rhythms
    <\/em>Wilson\/Viola Chord Studies for Trombone<\/em>
    Snidero Jazz Conception<\/em><\/p>\n

    REPRESENTATIVE SOLO MATERIAL
    Barat Morceau de Concours
    <\/em>Bizet Flower Song from Carmen
    <\/em>Boda Sonatina
    <\/em>Brahms\/Little Four Serious Songs
    <\/em>Casterede Fantasia Concertante
    <\/em>Clinard Sonata
    <\/em>Cord Concert Fantasie
    <\/em>David Concertino
    <\/em>Frackenpohl Sonata
    <\/em>Handel\/Fitzgerald Aria can Variazioni
    <\/em>Hartley Sonata Euphonica
    <\/em>Hindemith Sonata for Bassoon
    <\/em>Jacob Fantasia
    <\/em>Mantia Endearing Young Charms
    <\/em>Pryor All solos
    Puccini Nessun Dorma
    <\/em>Rachmaninoff Vocalise
    <\/em>Ross Partita
    <\/em>Rossini Largo al Factotum
    <\/em>Schmidt The Devil's Tongue
    <\/em>Schumann\/Droste Five Pieces in Folk Song Style, Op.102
    <\/em>Sparke Fantasy
    <\/em>Sparke Song for Ina
    <\/em>Takacs Sonata Op.59
    <\/em>White Lyric Suite
    <\/em>Wilder Sonata<\/em><\/p>\n

    BAND\/ORCHESTRAL EXCERPTS
    Pendergast Practical Guide to Wind Band Excerpts for Euphonium<\/em>
    Shifrin The Professional's Handbook of Orchestral Excerpts for Euphonium and Bass Trumpet<\/em><\/p>\n

    TECHNIQUE
    Clarke Technical Studies
    <\/em>Mueller Technical Studies, Vols.2,3<\/em>\u00a0
    Hall Technique Exam
    <\/em>Lin Lip Flexibilities for All Brass Instruments
    <\/em>Some emphasis on extreme ranges, security, and endurance.<\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"

    2 credits: full hour lesson – for junior Music Education, Sound Recording Technology, Jazz Studies, Composition majors and Music minors only. Requires one student recital performance each semester. 341\/410 and 342\/411 jury consists of two solos with piano or major… Continue Reading →<\/a><\/p>\n","protected":false},"author":1221,"featured_media":0,"parent":84,"menu_order":4,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":"","_links_to":"","_links_to_target":""},"_links":{"self":[{"href":"https:\/\/fs.wp.odu.edu\/jhall\/wp-json\/wp\/v2\/pages\/143"}],"collection":[{"href":"https:\/\/fs.wp.odu.edu\/jhall\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/fs.wp.odu.edu\/jhall\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/fs.wp.odu.edu\/jhall\/wp-json\/wp\/v2\/users\/1221"}],"replies":[{"embeddable":true,"href":"https:\/\/fs.wp.odu.edu\/jhall\/wp-json\/wp\/v2\/comments?post=143"}],"version-history":[{"count":5,"href":"https:\/\/fs.wp.odu.edu\/jhall\/wp-json\/wp\/v2\/pages\/143\/revisions"}],"predecessor-version":[{"id":1456,"href":"https:\/\/fs.wp.odu.edu\/jhall\/wp-json\/wp\/v2\/pages\/143\/revisions\/1456"}],"up":[{"embeddable":true,"href":"https:\/\/fs.wp.odu.edu\/jhall\/wp-json\/wp\/v2\/pages\/84"}],"wp:attachment":[{"href":"https:\/\/fs.wp.odu.edu\/jhall\/wp-json\/wp\/v2\/media?parent=143"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}