{"id":146,"date":"2015-12-20T03:21:07","date_gmt":"2015-12-20T03:21:07","guid":{"rendered":"https:\/\/fs.wp.odu.edu\/jhall\/?page_id=146"},"modified":"2025-12-23T14:07:03","modified_gmt":"2025-12-23T19:07:03","slug":"seventh-and-eighth-semesters","status":"publish","type":"page","link":"https:\/\/fs.wp.odu.edu\/jhall\/trombone-and-euphonium\/seventh-and-eighth-semesters\/","title":{"rendered":"SEVENTH AND EIGHTH SEMESTERS"},"content":{"rendered":"

MUSA 441, 442<\/h3>\n
\n\t

2 credits: full hour lesson - for senior Music Education, Sound Recording Technology, Jazz Studies, Composition majors and Music minors only. Requires one student recital (SPH) performance each semester unless recital approval or recital is performed. 441 and 442 jury consists of two solos, with piano or major unaccompanied solo, possible playing by ear. 442 may be repeated to prepare senior recital.<\/p>\n

Music Education majors may give a recital approval performance and half-hour (senior) recital during 441 when student teaching is scheduled for the next semester. Otherwise this is accomplished during 442. (SPH) requirements are waived during the recital semester.<\/strong><\/p>\n<\/div>\n<\/div><\/div>

MUSA 451, 452 <\/h3>\n
\n\t

3 credits: full hour lesson - for senior Performance majors only. 451 requires two student recital (SPH) performances. 451 jury consists of two solos, one by memory, with piano or major unaccompanied solo, possible playing by ear.<\/p>\n

No jury for 452; a recital approval performance and full hour (senior) recital is required, including one piece by memory.<\/strong><\/p>\n

Graduating level for performance majors, advanced for all others. Further emphasis on clef reading, difficult etudes, solo and chamber literature, orchestral studies. Specialization in jazz (ear playing and improvisation) may be appropriate. Solidify extreme ranges. Solidify complete command of the instrument by completing studies and technique from previous term but the real emphasis should be on degree recital, literature, style, and advanced technique.<\/em><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div>

TENOR TROMBONE<\/h3>\n
\n\t

WARM-UP EXERCISES
\nMarsteller Basic Routines
\n<\/em>Remington Warm-up Exercises
\n<\/em>Vining Daily Routines for Trombone<\/em><\/p>\n

LEGATO STUDIES
\nBordogni\/Schwartz Vocalises Vols.4,5,6
\n<\/em>Bach Cello Suites<\/em>
\nCouilland Etudes de Style
\n<\/em>Busser 12 Etudes Melodiques <\/em><\/p>\n

STUDIES FOR GENERAL TECHNIQUE
\nLafosse School of Sightreading & Style, Book C-D
\n<\/em>Bitsch 15 Etudes du Rhythme
\n<\/em>Boutry Douze Etudes de Haut Perfectionnement
\n<\/em>Kopprasch 60 Studies
\n<\/em>Lin Lip Flexibilities for All Brass Instruments
\n<\/em>Pichareau 21 Studies of General Technique <\/em>Pederson Advanced Etudes
\n<\/em>Marsteller Advanced Slide Technique
\n<\/em>Marsteller 6 Etudes
\n<\/em>Masson 12 Etudes Variees
\n<\/em>Maxted 20 Studies
\n<\/em>Senon 25 Etudes Rythmo-Techniques<\/em>
\nVining Daily Routines for Trombone<\/em><\/p>\n

CLEF STUDIES
\nBlazhevich Studies in Clefs <\/em>and 26 Sequences
\n<\/em>Uber 21 Etudes in Bass & Alto Clef
\n<\/em>Kahila Advanced Etudes in Tenor & Alto Clef <\/em><\/p>\n

F-ATTACHMENT STUDIES
\nBordogni\/Schwartz Vocalises<\/em> (8vb)
\nDelgiudice 12 Etudes Rhythmiques et Melodiques
\n<\/em>Various studies for tuba and French tuba.<\/p>\n

JAZZ STUDIES
\nWilson\/Viola Chord Studies for Trombone
\n<\/em>Baker, D. Jazz Styles and Analysis<\/em>
\nReeves Creative Jazz Improvisation
\n<\/em>Coker Patterns for Jazz
\n<\/em>Learning standard tunes as assigned, required reading as assigned, jazz theory.<\/p>\n

REPRESENTATIVE SOLO MATERIAL
\nComplete literature from 300's if deemed necessary.
\nAlbrechtsberger Concerto<\/em>
\nBerio Sequenza V
\n<\/em>Bloch Symphony<\/em>
\nBonneau Fantasie Concertante
\n<\/em>Bozza Hommage a Bach
\n<\/em>Childs Sonata<\/em>
\nCreston Fantasy<\/em>
\nDavid Concertino<\/em>
\nDruckman Animus I
\n<\/em>Ewazen Sonata<\/em>
\nGoldstein Colloquy<\/em>
\nGrondahl Concerto<\/em>
\nHandel-Marsteller Concerto in F Minor
\n<\/em>Krenek Five Pieces
\n<\/em>Martin Ballade<\/em>
\nMcKay Sonata<\/em>
\nMilhaud Concertino d'Hiver
\n<\/em>Mozart, L. Concerto<\/em>
\nPryor Blue Bells of Scotland
\n<\/em>Ross Cryptical Triptych
\n<\/em>Sanders Sonata in E-flat
\n<\/em>Serly Concerto<\/em>
\nSerocki Concerto<\/em>
\nSerocki Sonatina<\/em>
\nStevens, John Sonata<\/em>
\nStevens, Halsey\u00a0Sonata<\/em>
\nSulek Sonata<\/em>
\nVivaldi\/Brown 6 Sonatas
\n<\/em>Mahler\/Ostrander Solo from Third Symphony
\n<\/em>Wagenseil Konzert<\/em><\/p>\n

Jazz: Giant Steps, All the Things You\u00a0<\/span>Are<\/span>, Someday My Prince Will Come<\/span>, <\/span>Naima,\u00a0Nardis, Impressions, Alice in Wonderland, Periscope,\u00a0Beatrice, Simone, Lament,\u00a0Reconcile, Nica<\/span>\u2019<\/span>s<\/span>\u00a0Dream,\u00a0<\/span>Stablemates<\/span>, Have You Met Miss\u00a0<\/span>Jones<\/span>,<\/span> Prince Albert, Confirmation,<\/span><\/em> etc.<\/span><\/p>\n

ORCHESTRAL EXCERPTS<\/p>\n

    \n
  1. Mahler Symphony No.3 <\/em><\/li>\n
  2. Brahms Symphony No.4 <\/em><\/li>\n
  3. Bartok Concerto for Orchestra <\/em><\/li>\n
  4. Strauss Also Sprach Zarathustra <\/em><\/li>\n
  5. Ravel L'Enfante et les Sortileges <\/em><\/li>\n
  6. Milhaud La Creation du Monde <\/em><\/li>\n
  7. Liszt Hungarian Rhapsodie No.2 <\/em><\/li>\n
  8. Dvor\u00e1k Symphony No.8 <\/em><\/li>\n
  9. Bruckner Symphony No.4 <\/em><\/li>\n
  10. Tchaikovsky Symphony No.6 <\/em><\/li>\n
  11. Hindemith Mathis der Maler <\/em><\/li>\n
  12. Schumann Symphony No.3 <\/em><\/li>\n
  13. Beethoven Symphony No.9 <\/em><\/li>\n
  14. Rossini William Tell Overture <\/em><\/li>\n
  15. Wagner The Ride of the Valkyries <\/em><\/li>\n
  16. Brahms Tragic Overture <\/em><\/li>\n
  17. Holst The Planets <\/em><\/li>\n
  18. Sibelius Symphony No.2 <\/em><\/li>\n
  19. Mendelssohn Symphony No.5 <\/em><\/li>\n
  20. Mahler Symphony No.2 <\/em><\/li>\n<\/ol>\n

    SPECIAL ENSEMBLE LITERATURE
    \nPoulenc Sonata<\/em> (Trio)
    \nArnold Quintet<\/em>
    \nStravinsky L'Histoire du Soldat
    \n<\/em>Campo Commedie<\/em>
    \nKellaway Esque<\/em>
    \nPersichetti Serenade<\/em>
    \nBeethoven 3 Equali
    \n<\/em>Kroeger Toccata<\/em>
    \nEwald Quintets<\/em><\/p>\n<\/div>\n<\/div><\/div><\/div>

    EUPHONIUM<\/h3>\n
    \n\t

    WARM-UP EXERCISES
    \nVining Daily Routine<\/em> for Euphonium
    \nPilafian\/Sheridan The Brass Gym<\/em>
    \nRemington Warm-up Exercises<\/em><\/p>\n

    LEGATO STUDIES
    \nBordogni\/SchwartzVocalises Vols.4,5,6
    \n<\/em>Couilland Etudes de Style <\/em><\/p>\n

    STUDIES FOR GENERAL TECHNIQUE
    \nVarious studies for tuba and French tuba. Arban\/Alessi\/Bowman Method
    \nBitsch 15<\/em> Etudes du Rhythme
    \n<\/em>Boutry Douze Etudes de Haut Perfectionnement
    \n<\/em>Charlier 32 Etudes de Perfectionneme<\/em>
    \nGuggenberger Basics Plus
    \n<\/em>Lafosse School of Sightreading & Style, Book C-D
    \n<\/em>Lin Lip Flexibilities for All Brass Instruments<\/em>
    \nKopprasch 60 Studies
    \n<\/em>Masson 12 Etudes Variees
    \n<\/em>Senon 25 Etudes Rythmo-Techniques<\/em>
    \nUber\u00a0Twenty-two Etudes
    \n<\/em>Vizutti 20 Dances for Euphonium<\/em><\/p>\n

    CLEF STUDIES
    \nBlazhevich Studies in Clefs <\/em>and 26 Sequences
    \n<\/em>Uber 30 Etudes in Bass & Tenor Clef<\/em><\/p>\n

    JAZZ STUDIES
    \nLipsius Reading Key Jazz Rhythms
    \n<\/em>Wilson\/Viola Chord Studies for Trombone<\/em>
    \nSnidero Jazz Conception<\/em><\/p>\n

    REPRESENTATIVE SOLO MATERIAL
    \nComplete literature from 300's if deemed necessary.
    \nBach Cello Suites<\/em>
    \nBoccolari Fantasia di ConcertoBourgeois
    \n<\/em>Bourgeois Concerto for Trombone
    \n<\/em>Bowen Euphonium Music
    \n<\/em>Bozza Hommage a Bach
    \n<\/em>Butterworth Partita
    \n<\/em>Censu As Wonderful Things Drift By
    \n<\/em>Corwell Odyssey
    \n<\/em>Curnow Symphonic Variants
    \n<\/em>Ewazen Concerto
    \n<\/em>Gillingham Blue Lake Fantasies
    \n<\/em>Gillingham Vintage
    \n<\/em>Grondahl Concerto<\/em>
    \nHorovitz Concerto
    \n<\/em>Hoshina Fantasy for Euphonium and Piano
    \n<\/em>Hovhaness Symphony No.29
    \n<\/em>Jager Concerto for Euphonium
    \n<\/em>Lathan Eidolons
    \n<\/em>Mantia Auld Lang Syne<\/em>
    \nMcKay Sonata<\/em>
    \nMozart, W.A. Concerto for Bassoon K.191
    \n<\/em>Picchi\/Mantia Fantasia Originale
    \n<\/em>Ponchielli Concerto per Flicorno Basso
    \n<\/em>Raum Faustbach
    \n<\/em>Richards Rangitoto
    \n<\/em>Rogers The Volunteer
    \n<\/em>Saint-Sa\u00ebns Morceau de Concert
    \n<\/em>Spark Concerto
    \n<\/em>Spark Pantomime
    \n<\/em>Stevens, John Soliloquies<\/em>
    \nSulek Sonata
    \n<\/em>Uber Sonata<\/em>
    \nVivaldi\/Brown Sonatas 1-6
    \n<\/em>Weber Concerto for Bassoon
    \n<\/em>Wiggins Soliloquy No.9
    \n<\/em>Wilhelm Concertino for Euphonium<\/em><\/p>\n

    BAND\/ORCHESTRAL EXCERPTS
    \nPendergast Practical Guide to Wind Band Excerpts for Euphonium
    \n<\/em>Shifrin The Professional's Handbook of Orchestral Excerpts for Euphonium and Bass Trumpet
    \n<\/em>Janecek Sinfonietta<\/em>
    \nMahler Symphony #7
    \n<\/em>Mussorgsky\/Ravel Pictures at an Exhibition
    \n<\/em>Strauss Tone Poems (Tenor Tuba parts)
    \nWagner Operas (Bass Trumpet parts)<\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"

    2 credits: full hour lesson – for senior Music Education, Sound Recording Technology, Jazz Studies, Composition majors and Music minors only. Requires one student recital (SPH) performance each semester unless recital approval or recital is performed. 441 and 442 jury… Continue Reading →<\/a><\/p>\n","protected":false},"author":1221,"featured_media":0,"parent":84,"menu_order":5,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":"","_links_to":"","_links_to_target":""},"_links":{"self":[{"href":"https:\/\/fs.wp.odu.edu\/jhall\/wp-json\/wp\/v2\/pages\/146"}],"collection":[{"href":"https:\/\/fs.wp.odu.edu\/jhall\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/fs.wp.odu.edu\/jhall\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/fs.wp.odu.edu\/jhall\/wp-json\/wp\/v2\/users\/1221"}],"replies":[{"embeddable":true,"href":"https:\/\/fs.wp.odu.edu\/jhall\/wp-json\/wp\/v2\/comments?post=146"}],"version-history":[{"count":4,"href":"https:\/\/fs.wp.odu.edu\/jhall\/wp-json\/wp\/v2\/pages\/146\/revisions"}],"predecessor-version":[{"id":1461,"href":"https:\/\/fs.wp.odu.edu\/jhall\/wp-json\/wp\/v2\/pages\/146\/revisions\/1461"}],"up":[{"embeddable":true,"href":"https:\/\/fs.wp.odu.edu\/jhall\/wp-json\/wp\/v2\/pages\/84"}],"wp:attachment":[{"href":"https:\/\/fs.wp.odu.edu\/jhall\/wp-json\/wp\/v2\/media?parent=146"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}