{"id":152,"date":"2015-12-20T03:31:38","date_gmt":"2015-12-20T03:31:38","guid":{"rendered":"https:\/\/fs.wp.odu.edu\/jhall\/?page_id=152"},"modified":"2015-12-21T23:04:28","modified_gmt":"2015-12-21T23:04:28","slug":"levels-and-materials-graduate-study","status":"publish","type":"page","link":"https:\/\/fs.wp.odu.edu\/jhall\/trombone-and-euphonium\/levels-and-materials-graduate-study\/","title":{"rendered":"Levels and Materials – Graduate Study"},"content":{"rendered":"

MUSA 651, 652<\/h3>\n
\n\t

3 credits: full hour lesson - for trombone\/euphonium students pursuing the Master of Music Education degree with concentration in Applied Studies.\u00a0This class\u00a0may be repeated for credit. Such students may come with special backgrounds, or problems, or goals, or long layoffs. Therefore the emphasis and the literature will be geared to these circumstances.<\/p>\n

Requires two student recital (SPH) performances each semester. 651 jury consists of two solos, with piano or major unaccompanied solo, no memory required, playing by ear. No jury for 652; a recital approval performance and full hour\u00a0recital is required. (SPH) requirement is waived during recital semester.<\/strong><\/p>\n

Generally, this level entails review and solidification of technique, pedagogy and extensive emphasis on literature in preparation of the degree recital.<\/em><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div>

TENOR TROMBONE<\/h3>\n
\n\t

STUDIES
Masson 12 Various Studies
<\/em>Bozza 11 Etudes in Karnatic Modes
<\/em>Bozza 13 Etudes Caprices
<\/em>Lafosse Vade Mecum de Tromboniste
<\/em>Pichareau Vignt Etudes<\/em><\/p>\n

REQUIRED READING
Tests, papers, articles on performance and pedagogy as assigned. Discussion and\/or written reaction is desirable and may also be required.<\/p>\n

REQUIRED LISTENING
Recordings as assigned.<\/p>\n

ENSEMBLE LITERATURE
Bozza Quintet, Sonatine
<\/em>Premru Concertino
<\/em>Schwartz Options I
<\/em>See also\u00a0400 level\u00a0list.<\/p>\n

REPRESENTATIVE SOLO MATERIALS
Any materials not accomplished from lower levels.
Bassett Sonata<\/em>
Bonneau Capriccio<\/em>
Boutry Capriccio<\/em>
Bozza Ballade<\/em>
Brown Sonata<\/em>
Cast\u00e9r\u00e8de Sonatine<\/em>
Creston Fantasy<\/em>
Defaye Deux Danses<\/em>
Hindemith Sonate<\/em>
Jacob Concerto<\/em>
Uber Sonata<\/em>
White Sonata<\/em><\/p>\n

ORCHESTRAL EXCERPTS<\/p>\n

    \n
  1. Bartok Miraculous Mandarin <\/em><\/li>\n
  2. Ravel Daphnis et Chloe<\/em> (complete ballet)<\/li>\n
  3. Berlioz Symphonie Fantastique <\/em><\/li>\n
  4. Beethoven Sumphony No.5 <\/em><\/li>\n
  5. Strauss Ein Heldenleben <\/em><\/li>\n
  6. Beethoven Missa Solemnis <\/em><\/li>\n
  7. Berg Three Orchestra Pieces <\/em><\/li>\n
  8. Prokofiev Romeo and Juliet Suites 1&2 <\/em><\/li>\n
  9. Bruckner Symphony No.7 <\/em><\/li>\n
  10. Mahler Symphony No.5 <\/em><\/li>\n<\/ol>\n

    TECHNIQUE
    Continual review and expansion of virtuoso technique as required by the literature.
    Multiphonics, jazz skills, Avant-garde techniques.<\/p>\n<\/div>\n<\/div><\/div><\/div>

    EUPHONIUM<\/h3>\n
    \n\t

    STUDIES
    Any (all) from lower levels not accomplished and new publications.
    Virtuoso etudes for trumpet (Charlier, Bozza, Nagel) and for horn (Reynolds, Bozza, Bitsch)
    Brasch The Euphonium and 4-Valve Brasses<\/em>
    Reynolds Forty-eight Etudes<\/em><\/p>\n

    REPRESENTATIVE SOLO MATERIAL
    Aagard-Nilsen 4 Lyric Pieces
    <\/em>Aagard-Nilsen Euphonium Concerto
    <\/em>Adler Four Dialogues <\/em>(with marimba)
    Bach, Jan Concert Variations
    <\/em>Bach, Jan Concerto
    <\/em>Bach, Jan Sonatas 1-3
    <\/em>Bourgeois Euphoria
    <\/em>Cosma Concerto
    <\/em>Ellerby Concerto
    <\/em>Gallaher Sonata
    <\/em>Gillingham Concerto Summer 2008
    <\/em>Golland Concerto No.1<\/em> and No.2
    <\/em>Linkola Concerto for Euphonium
    <\/em>Nagano Matrix<\/em> with compact disc
    Nehleybel Concerto for Euphonium
    <\/em>Szentpali Pearls<\/em>
    Vazzana Partita for Euph, Piano and Percussion
    <\/em>Weber Concertino <\/em>(for clarinet)
    Wilby Concerto<\/em><\/p>\n

    TECHNIQUE
    Continual review and expansion of virtuoso technique as required by the literature.
    Multiphonics, jazz skills, Avant-garde techniques.<\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"

    3 credits: full hour lesson – for trombone\/euphonium students pursuing the Master of Music Education degree with concentration in Applied Studies.\u00a0This class\u00a0may be repeated for credit. Such students may come with special backgrounds, or problems, or goals, or long layoffs…. Continue Reading →<\/a><\/p>\n","protected":false},"author":1221,"featured_media":0,"parent":84,"menu_order":7,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":"","_links_to":"","_links_to_target":""},"_links":{"self":[{"href":"https:\/\/fs.wp.odu.edu\/jhall\/wp-json\/wp\/v2\/pages\/152"}],"collection":[{"href":"https:\/\/fs.wp.odu.edu\/jhall\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/fs.wp.odu.edu\/jhall\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/fs.wp.odu.edu\/jhall\/wp-json\/wp\/v2\/users\/1221"}],"replies":[{"embeddable":true,"href":"https:\/\/fs.wp.odu.edu\/jhall\/wp-json\/wp\/v2\/comments?post=152"}],"version-history":[{"count":1,"href":"https:\/\/fs.wp.odu.edu\/jhall\/wp-json\/wp\/v2\/pages\/152\/revisions"}],"predecessor-version":[{"id":153,"href":"https:\/\/fs.wp.odu.edu\/jhall\/wp-json\/wp\/v2\/pages\/152\/revisions\/153"}],"up":[{"embeddable":true,"href":"https:\/\/fs.wp.odu.edu\/jhall\/wp-json\/wp\/v2\/pages\/84"}],"wp:attachment":[{"href":"https:\/\/fs.wp.odu.edu\/jhall\/wp-json\/wp\/v2\/media?parent=152"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}